CHARLENE HOLT 1960s 2 1/4 CAMERA NEGATIVE PETER BASCH
Item History & Price
| Reference Number: Avaluer:12592105 | Industry: Movies |
| Original/Reproduction: Original | Object Type: camera negative |
| Size: 2.25" |
PETER BASCH PHOTOGRAPHY PROVENANCE: The image offered in this listing comes directly from the personal archived library of PETER BASCH who was a celebrity and artistic nude Playboy photographer during the 1940s through the 1970s. Mr. Basch was a master in glamour and nude fine art photography having authored many books on the subject. In addition to photographer signed and/or stamped photographic images, we are only offering 100% guaranteed original camera images (B&W negatives and color tr...ansparencies) which have been stored away since he produced his first work. Many of the original camera film images (negatives and transparencies) have never been seen before and are one of a kind. Others have been published in the world's top celebrity and men's magazines. The rediscovery of the mastery of Peter Basch will reveal his respect and passion for photographing the world's top celebrities and most beautiful women such as BETTIE PAGE, JAYNE MANSFIELD, GRACE KELLY, SOPHIA LOREN, MARLON BRANDO, JANE FONDA, BRIGITTE BARDOT, ANITA EKBERG, FEDERICO FELLINI, URSULA ANDRESS, and many more. Please see a bio and additional notes on Peter Basch below.DESCRIPTION: A vintage 1959 original 2 1/4" camera negative of CHARLENE HOLT taken by the photographer PETER BASCH and from his personal archive.
A shallow notch trimmed in the right border by the photographer identifies this as one of the strongest portraits from the shoot.This is the original negative (film) that was in the camera at the time the portrait was taken and is therefore the only one of its kind in existence. (Please note this listing is for a camera negative, not a photograph. The scan is of its positive view.)RIGHTS: The PETER BASCH FAMILY TRUST is the sole and exclusive copyright owner of the listed image(s). No rights are included in this offering. - SIZE: 2 1/4"- TONE: B&W- CONDITION: Fine._______________________________________________________________ CONDITION GRADING Excellent: Very nearly pristine, with no more than trivial flaws. Very Fine: One or two minor defects and only the slightest handling wear. Fine: Minor flaws, with slight handling or surface flaws. Very Good: Slight scuffing, rippling, minor surface impressions. Good: Visibly used with small areas of wear, which may include surface impressions and spotting. Fair: Visibly damaged with extensive wear. SHIPPING TERMS - I ship all items using, what I call, triple protection packing. The photos are inserted into a display bag with a white board, then packed in between thick packaging boards and lastly wrapped with plastic film for weather protection before being placed into the shipping envelope. - The shipping cost for U.S. shipments includes USPS "Delivery Confirmation" tracking. - I am happy to combine multiple wins at no additional cost. Please wait for me to issue the invoice before making payment. PAYMENT TERMS - Please pay within three (3) days of purchase. - I reserve the right to re-list the item(s) if payment is not received within seven (7) days. - California residents - please wait for me to adjust the invoice to include California Sales Tax of 7.5% and 9% for Los Angeles residents. CUSTOMER SERVICE - I will respond to all inquiries within 24 hours. ________________________________________________________________ PETER BASCH (1921-2004) was a German/American glamour photographer who captured thousands of images of the most prominent stars of the 50s and 60s. Peter Basch was born in Berlin, Germany, the only child of Felix Basch and Grete Basch-Freund, both prominent theater and film personalities of the German-speaking world. In 1933 the family came to New York due to fears of rising anti-Jewish sentiment and laws in Germany. The family had US citizenship because Felix's father, Arthur Basch, was a wine trader who lived in San Francisco. After moving back to Germany, Arthur Basch kept his American citizenship, and passed it to his children and, thence, to his grandchildren. When the Basch family arrived in New York in 1933, they opened a restaurant on Central Park South in the Navarro Hotel. The restaurant, Gretel's Viennese, became a hangout for the Austrian expatriate community. Peter Basch had his first job there as a waiter. While in New York, Basch attended the De Witt Clinton High School. The family moved to Los Angeles to assist in Basch's father's career, during which time Basch went to school in England. Upon returning to the United States, Basch joined the Army. He was mobilized in the US Army Air Forces' First Motion Picture Unit, where he worked as a script boy. After the war, he started attending UCLA and started taking photographs of young starlets working with other photographers and film studios. His mother asked him to join her back in New York after she and his father decided that Basch should be a photographer and they obtained a photography studio for their son. For over twenty years, Peter Basch had a successful career as a magazine photographer. He was known for his images of celebrities, artists, dancers, actors, starlets, and glamour-girls in America and Europe. His photos appeared in many major magazines such as Life, Look and Playboy.The Peter Basch Collection includes iconic images of all the major midcentury stars, from Europe and America. These masterful images are a window onto a time we cannot forget, when movie stars stepped out of the studio’s control, and we began to see these larger-than-life performers as full, three-dimensional personalities. Basch’s images capture the heart and spirit of these glamorous performers. Taking pictures in natural light, out in the world, we see these stars as full human beings, not the carefully made-up, studio-approved icons of oldfashioned Hollywood. Basch was able to capture the moments of a human being’s spirit, their mercurial reactions, all the facets that made these magnetic individuals the stars they were. Basch authored and co-authored a number of books containing his photographs including: Candid Photography (1958 with Peter Gowland Basch and Don Ornitz Basch) Peter Basch's Glamour Photography (A Fawcett How-To Book) (1958) Peter Basch photographs beauties of the world (1958) Camera in Rome (1963 with Nathan and Simon Basch) Peter Basch Photographs 100 Famous Beauties (1965) The nude as form & figure (1966) Put a Girl in Your Pocket: The Artful Camera of Peter Basch (1969) Peter Basch's Guide to Figure Photography (1975 with Jack Rey) Thoughts on Peter Basch by his daughter: "My Father, Peter Basch, saw. He looked and he saw. He taught me to see. He taught me to listen and hear. We used to play a game when I was little. He’d say, Michele, look at the street then look at me, what did you see? I would list the cars, red, black, navy; people, fat, tall, thin; children, parents; trees and plants. He would add the detail. A blue car with New York plates, a black car with New Jersey plates. The people were not just tall or small, thin or fat, they wore coats or sweaters, they laughed or were sad. The trees had leaves, were close together, the green was dark, vivid, the sun playing with the shadow. My Father saw. He captured in his mind and on film the unexpected moment in time, the interaction between two people, the look, the thought, the breath that punctuated the decision. My Father was one of the great romantics. He had a true love and appreciation of beauty in its purest form. We would talk about BEAUTY and her differences: natural, Hollywood, young, old and the beauty of communication, interaction, the Beauty of the moment. He recorded the breath in time on film: two ladies in Paris reading the paper, a Dachshund looking around the corner, a chair in front of the Eiffel Tower. My Father saw the thought and seized it for posterity. My Father understood the language light speaks to shadow. He showed me how the sun plays with dark. His favorite moment was at Sunrise when the shadows were long and soft. He saw every hue from white to black and everything in between. He understood the language, taught and published books on Light and Shadow, Form and Figure. I traveled through Europe with my Father. I was his assistant! And proud of it! I was the camera person! Changed the film, made sure the lens was clean, stood in during special poses, helped in the dark room, retouched to refine and perfect. I loved watching him talk and listen. He listened to Jane Fonda, Ursula Andress, Brigit Bardot, Fellini, Mastroiani and so many more. He listened and recorded the answer, the thought, that moment of indecision, realization and Seduction." Film Assignments: 8½ - Fellini Jules et Jim - Truffaut Bijoutiers du Clair de Lune - Vadim The Vice and the Virtue - Vadim Fearless Vampire Killers - Polanski Yesterday, Today and Tomorrow - De Sica Une Femme Est Une Femme Goddard Fear - Rosselini Cartouche - De Broca Giant - Stevens Anne Frank - Stevens Guys and Dolls - Mankiewicz Horse Soldiers - Ford Majority of One - Leroy Walk on the Wild Side - Dmytryk Wild in the Streets - Spear Leonidas - Matte The Day the Fish Came Out - Cocayannis The Pawnbroker - Lumet La Verite - Clouzot La Loi Sacree - Pabst Baby Doll - Kazan Summertime - Lean The 13 Most Beautiful Girls - Warhol The Three Sisters - Bogart Francis of Assissi - Curtiz The Swimmer Perry Cape Fear The Man Who Had Power Over Women The Spy With The Cold Nose Winnetou Mata Hari Exhibitions: 2002 Jewish Museum - Vienna Austria “Vom Grossvater vertrieben” 2002 LEICA Gallery, NYC Portrait of Al Hirschfeld 2001 National Portrait Gallery -- London Dame Elizabeth (Taylor) 2001 Fahey-Klein Gallery, LA Group Show/Great Directors 2001 Museum/City of New York, Al Hirschfeld Exhibit 2000 Museum of Modern Art, NY, Brigitte Bardot 1999 Vienna, Austria – “übersee” 1999 Stadt Museum, Munich, Germany “TWEN” exhibit 1997 Museum of the Moving Image – Grace Kelly 1996 Staley Wise Gallery, NY “Shooting Stars” – one man show 1980s Museum of Modern Art, NY, Sophia Loren LA County Museum "Masters of Starlight" (subsequently traveled to Tokyo & Kyoto, Japan) Stadt Museum, Munich, Germany “AKT” (nudes) __________________________________________________________________ CHARLENE HOLT BIO & FILMOGRAPHY
Verna Charlene Stavely, professionally known as Charlene Holt, was an American actress known for her supporting roles in television and film.
Holt was born on April 28, 1928, in Snyder, Texas, to Malcolm C. and Verna Vesta Stavely, née Chandler.[1][2][3] After she graduated from high school in Hagerman, New Mexico, she attended McMurry University in Abilene, Texas. She was a model in Houston, Texas. In 1956, Holt was crowned Miss Maryland[4] and in July, 1956 participated in the Miss USA pageant in Long Beach, California where she was a semi-finalist. In August, 1957 she was among nine models sent to Rio de Janeiro, Brazil, by Rose Marie Reid Swim Suits of Los Angeles and the Eileen Ford Agency in New York.
Holt appeared in various TV commercials in 1958 and reportedly signed a $50, 000-a-year model contract in New York at age 29. She was in a Revlon lipstick commercial, in which she was reportedly spotted[1] by director Howard Hawks who later cast her in several of his films. She was subsequently named "Miss Sweater Girl" in October, 1958 by the Wool Bureau. The contest was held in the Crystal Suite of the Savoy Hilton Hotel in New York.
Holt's first credited role was as Lisa, a model, in If a Man Answers, a 1962 comedy film directed by Henry Levin and starring Bobby Darin and Sandra Dee.[5] In 1965 she appeared on Perry Mason as Helen Cadmus in "The Case of the Grinning Gorilla." In 1966, she co-starred in El Dorado opposite John Wayne.[6] In all, she performed in over 20 TV and film productions between 1962 and 1980.[7]
Holt married William A. Tishman, a millionaire builder in Los Angeles on October 7, 1966. They resided in Beverly Hill’s Trousdale Estates until their divorce in June 1972.Holt died on April 5, 1996, in Williamson County, Tennessee. She was 67.
· If a Man Answers (film, Lisa, 1962)
· Target: The Corruptors (TV series, 1962)
· Hawaiian Eye (TV series, Evelyn Mason, 1962)
· Saints and Sinners (TV series, Woman correspondent, 1962)
· Days of Wine and Roses (film, Guest (uncredited), 1962)
· Island of Love (film, minor uncredited role, 1963)
· The Alfred Hitchcock Hour (TV series, Darlene Vance, 1963)
· Burke's Law (TV series, 2 episodes, 1963–1964)
· Man's Favorite Sport? (film, Tex Connors, 1964)
· Arrest and Trial (TV series, Fay Carlson, 1964)
· Perry Mason (TV series, Helen Cadmus, 1965)
· Red Line 7000 (Film, Lindy, 1965)
· Honey West (TV series, Gloria, 1965)
· El Dorado (film, Maudie, 1966)
· The Hero (TV series, Angie, 1966)
· It Takes a Thief (TV series, 3 episodes, 1968)
· Zigzag (film, Sara Raymond, 1970)
· Wonder Woman (TV movie, Hippolyte, 1974)
· Police Story (TV series, 1 episode, "Company Man", 1975)
· CHiPs (TV series, appeared as herself in 1 episode, 1980)
· Melvin and Howard (film, Mrs. Worth, 1980)
Courtesy of Wikipedia
A shallow notch trimmed in the right border by the photographer identifies this as one of the strongest portraits from the shoot.This is the original negative (film) that was in the camera at the time the portrait was taken and is therefore the only one of its kind in existence. (Please note this listing is for a camera negative, not a photograph. The scan is of its positive view.)RIGHTS: The PETER BASCH FAMILY TRUST is the sole and exclusive copyright owner of the listed image(s). No rights are included in this offering. - SIZE: 2 1/4"- TONE: B&W- CONDITION: Fine._______________________________________________________________ CONDITION GRADING Excellent: Very nearly pristine, with no more than trivial flaws. Very Fine: One or two minor defects and only the slightest handling wear. Fine: Minor flaws, with slight handling or surface flaws. Very Good: Slight scuffing, rippling, minor surface impressions. Good: Visibly used with small areas of wear, which may include surface impressions and spotting. Fair: Visibly damaged with extensive wear. SHIPPING TERMS - I ship all items using, what I call, triple protection packing. The photos are inserted into a display bag with a white board, then packed in between thick packaging boards and lastly wrapped with plastic film for weather protection before being placed into the shipping envelope. - The shipping cost for U.S. shipments includes USPS "Delivery Confirmation" tracking. - I am happy to combine multiple wins at no additional cost. Please wait for me to issue the invoice before making payment. PAYMENT TERMS - Please pay within three (3) days of purchase. - I reserve the right to re-list the item(s) if payment is not received within seven (7) days. - California residents - please wait for me to adjust the invoice to include California Sales Tax of 7.5% and 9% for Los Angeles residents. CUSTOMER SERVICE - I will respond to all inquiries within 24 hours. ________________________________________________________________ PETER BASCH (1921-2004) was a German/American glamour photographer who captured thousands of images of the most prominent stars of the 50s and 60s. Peter Basch was born in Berlin, Germany, the only child of Felix Basch and Grete Basch-Freund, both prominent theater and film personalities of the German-speaking world. In 1933 the family came to New York due to fears of rising anti-Jewish sentiment and laws in Germany. The family had US citizenship because Felix's father, Arthur Basch, was a wine trader who lived in San Francisco. After moving back to Germany, Arthur Basch kept his American citizenship, and passed it to his children and, thence, to his grandchildren. When the Basch family arrived in New York in 1933, they opened a restaurant on Central Park South in the Navarro Hotel. The restaurant, Gretel's Viennese, became a hangout for the Austrian expatriate community. Peter Basch had his first job there as a waiter. While in New York, Basch attended the De Witt Clinton High School. The family moved to Los Angeles to assist in Basch's father's career, during which time Basch went to school in England. Upon returning to the United States, Basch joined the Army. He was mobilized in the US Army Air Forces' First Motion Picture Unit, where he worked as a script boy. After the war, he started attending UCLA and started taking photographs of young starlets working with other photographers and film studios. His mother asked him to join her back in New York after she and his father decided that Basch should be a photographer and they obtained a photography studio for their son. For over twenty years, Peter Basch had a successful career as a magazine photographer. He was known for his images of celebrities, artists, dancers, actors, starlets, and glamour-girls in America and Europe. His photos appeared in many major magazines such as Life, Look and Playboy.The Peter Basch Collection includes iconic images of all the major midcentury stars, from Europe and America. These masterful images are a window onto a time we cannot forget, when movie stars stepped out of the studio’s control, and we began to see these larger-than-life performers as full, three-dimensional personalities. Basch’s images capture the heart and spirit of these glamorous performers. Taking pictures in natural light, out in the world, we see these stars as full human beings, not the carefully made-up, studio-approved icons of oldfashioned Hollywood. Basch was able to capture the moments of a human being’s spirit, their mercurial reactions, all the facets that made these magnetic individuals the stars they were. Basch authored and co-authored a number of books containing his photographs including: Candid Photography (1958 with Peter Gowland Basch and Don Ornitz Basch) Peter Basch's Glamour Photography (A Fawcett How-To Book) (1958) Peter Basch photographs beauties of the world (1958) Camera in Rome (1963 with Nathan and Simon Basch) Peter Basch Photographs 100 Famous Beauties (1965) The nude as form & figure (1966) Put a Girl in Your Pocket: The Artful Camera of Peter Basch (1969) Peter Basch's Guide to Figure Photography (1975 with Jack Rey) Thoughts on Peter Basch by his daughter: "My Father, Peter Basch, saw. He looked and he saw. He taught me to see. He taught me to listen and hear. We used to play a game when I was little. He’d say, Michele, look at the street then look at me, what did you see? I would list the cars, red, black, navy; people, fat, tall, thin; children, parents; trees and plants. He would add the detail. A blue car with New York plates, a black car with New Jersey plates. The people were not just tall or small, thin or fat, they wore coats or sweaters, they laughed or were sad. The trees had leaves, were close together, the green was dark, vivid, the sun playing with the shadow. My Father saw. He captured in his mind and on film the unexpected moment in time, the interaction between two people, the look, the thought, the breath that punctuated the decision. My Father was one of the great romantics. He had a true love and appreciation of beauty in its purest form. We would talk about BEAUTY and her differences: natural, Hollywood, young, old and the beauty of communication, interaction, the Beauty of the moment. He recorded the breath in time on film: two ladies in Paris reading the paper, a Dachshund looking around the corner, a chair in front of the Eiffel Tower. My Father saw the thought and seized it for posterity. My Father understood the language light speaks to shadow. He showed me how the sun plays with dark. His favorite moment was at Sunrise when the shadows were long and soft. He saw every hue from white to black and everything in between. He understood the language, taught and published books on Light and Shadow, Form and Figure. I traveled through Europe with my Father. I was his assistant! And proud of it! I was the camera person! Changed the film, made sure the lens was clean, stood in during special poses, helped in the dark room, retouched to refine and perfect. I loved watching him talk and listen. He listened to Jane Fonda, Ursula Andress, Brigit Bardot, Fellini, Mastroiani and so many more. He listened and recorded the answer, the thought, that moment of indecision, realization and Seduction." Film Assignments: 8½ - Fellini Jules et Jim - Truffaut Bijoutiers du Clair de Lune - Vadim The Vice and the Virtue - Vadim Fearless Vampire Killers - Polanski Yesterday, Today and Tomorrow - De Sica Une Femme Est Une Femme Goddard Fear - Rosselini Cartouche - De Broca Giant - Stevens Anne Frank - Stevens Guys and Dolls - Mankiewicz Horse Soldiers - Ford Majority of One - Leroy Walk on the Wild Side - Dmytryk Wild in the Streets - Spear Leonidas - Matte The Day the Fish Came Out - Cocayannis The Pawnbroker - Lumet La Verite - Clouzot La Loi Sacree - Pabst Baby Doll - Kazan Summertime - Lean The 13 Most Beautiful Girls - Warhol The Three Sisters - Bogart Francis of Assissi - Curtiz The Swimmer Perry Cape Fear The Man Who Had Power Over Women The Spy With The Cold Nose Winnetou Mata Hari Exhibitions: 2002 Jewish Museum - Vienna Austria “Vom Grossvater vertrieben” 2002 LEICA Gallery, NYC Portrait of Al Hirschfeld 2001 National Portrait Gallery -- London Dame Elizabeth (Taylor) 2001 Fahey-Klein Gallery, LA Group Show/Great Directors 2001 Museum/City of New York, Al Hirschfeld Exhibit 2000 Museum of Modern Art, NY, Brigitte Bardot 1999 Vienna, Austria – “übersee” 1999 Stadt Museum, Munich, Germany “TWEN” exhibit 1997 Museum of the Moving Image – Grace Kelly 1996 Staley Wise Gallery, NY “Shooting Stars” – one man show 1980s Museum of Modern Art, NY, Sophia Loren LA County Museum "Masters of Starlight" (subsequently traveled to Tokyo & Kyoto, Japan) Stadt Museum, Munich, Germany “AKT” (nudes) __________________________________________________________________ CHARLENE HOLT BIO & FILMOGRAPHY
Verna Charlene Stavely, professionally known as Charlene Holt, was an American actress known for her supporting roles in television and film.
Holt was born on April 28, 1928, in Snyder, Texas, to Malcolm C. and Verna Vesta Stavely, née Chandler.[1][2][3] After she graduated from high school in Hagerman, New Mexico, she attended McMurry University in Abilene, Texas. She was a model in Houston, Texas. In 1956, Holt was crowned Miss Maryland[4] and in July, 1956 participated in the Miss USA pageant in Long Beach, California where she was a semi-finalist. In August, 1957 she was among nine models sent to Rio de Janeiro, Brazil, by Rose Marie Reid Swim Suits of Los Angeles and the Eileen Ford Agency in New York.
Holt appeared in various TV commercials in 1958 and reportedly signed a $50, 000-a-year model contract in New York at age 29. She was in a Revlon lipstick commercial, in which she was reportedly spotted[1] by director Howard Hawks who later cast her in several of his films. She was subsequently named "Miss Sweater Girl" in October, 1958 by the Wool Bureau. The contest was held in the Crystal Suite of the Savoy Hilton Hotel in New York.
Holt's first credited role was as Lisa, a model, in If a Man Answers, a 1962 comedy film directed by Henry Levin and starring Bobby Darin and Sandra Dee.[5] In 1965 she appeared on Perry Mason as Helen Cadmus in "The Case of the Grinning Gorilla." In 1966, she co-starred in El Dorado opposite John Wayne.[6] In all, she performed in over 20 TV and film productions between 1962 and 1980.[7]
Holt married William A. Tishman, a millionaire builder in Los Angeles on October 7, 1966. They resided in Beverly Hill’s Trousdale Estates until their divorce in June 1972.Holt died on April 5, 1996, in Williamson County, Tennessee. She was 67.
· If a Man Answers (film, Lisa, 1962)
· Target: The Corruptors (TV series, 1962)
· Hawaiian Eye (TV series, Evelyn Mason, 1962)
· Saints and Sinners (TV series, Woman correspondent, 1962)
· Days of Wine and Roses (film, Guest (uncredited), 1962)
· Island of Love (film, minor uncredited role, 1963)
· The Alfred Hitchcock Hour (TV series, Darlene Vance, 1963)
· Burke's Law (TV series, 2 episodes, 1963–1964)
· Man's Favorite Sport? (film, Tex Connors, 1964)
· Arrest and Trial (TV series, Fay Carlson, 1964)
· Perry Mason (TV series, Helen Cadmus, 1965)
· Red Line 7000 (Film, Lindy, 1965)
· Honey West (TV series, Gloria, 1965)
· El Dorado (film, Maudie, 1966)
· The Hero (TV series, Angie, 1966)
· It Takes a Thief (TV series, 3 episodes, 1968)
· Zigzag (film, Sara Raymond, 1970)
· Wonder Woman (TV movie, Hippolyte, 1974)
· Police Story (TV series, 1 episode, "Company Man", 1975)
· CHiPs (TV series, appeared as herself in 1 episode, 1980)
· Melvin and Howard (film, Mrs. Worth, 1980)
Courtesy of Wikipedia
